The Australian receptionist greeting that gives you very little information on how long you’ll be waiting.
Poor guy, had a full bladder at Radiology and came in for his appointment 1 week early.
“He’s gonna blow!”
The Australian receptionist greeting that gives you very little information on how long you’ll be waiting.
Poor guy, had a full bladder at Radiology and came in for his appointment 1 week early.
“He’s gonna blow!”
And so here I am, typing on the keyboard. Like many other keyboards. With the keys in an order, as there are many others. Not like the French say, but the outcome, yes the result may well be the same.
And so, here we are arriving with the convenience of legibility. Some of us with the luck and happenstance to decode. The word, lost in the sea. As if bubbles were more important than other bubbles.
And so I came to realize that what I was writing was mine, but once removed. Hosted elsewhere, saved in a cloud, a great anti-bubble in the sky. Permeable, impermeable, semi-permeable. Spelling supported, meaning contrived.
And so there I was, looking at images of people standing on a large tree stump, the tree is gone now. It must have been old. That is a message, without it it is sad, it is the without that hurts. Like the ache of knowing when something is there but you cannot see it. You cannot visit it. Pain both ways. With and without.
And so I thought to myself, perhaps only to make it better. To bandage the hurt. To shield my heart. “It’s not real”. Anything, and everything you have the chance to see through the lens of a digital screen has the potential to be un-real, fabricated, painted, generated, “realized”. The tree is not real. The image is not real. We cannot trust this screen. We cannot trust this time. I don’t trust generated writing.
And so we are jammed between the possible unreality of this rectangle, sacrificing physical truth for a convenient lie. Resting and waiting for us to die.
“What colour is that”
Is what?
THAT
Open your mind like a box of treasure
Turn over thoughts at your leisure
Some of hope and others pleasure
Pains un-boxed will not feather
Instead led out by the nose
“You casted invis?!” – remember those…
Let passion lie among the rose
And fast friends go unto the crows
I ask forgiveness from my mind
Softer thoughts, I beg and blind
As dust brush off a tome of time
Dignified un-signified, here I’ll sign.
The first thing I noted, arriving Melbourne late Wednesday was the oak tree’s near John Street. Branches parting down the middle. Like an office worker trying to do the spits over a power cords. Straddling, legs like bridges.
Past the first nine waves
Beyond the head chills, and cold feet.
Ringing in my ears.
Green rocks and golden light.
Perfect surprises warming our hearts and making it all better. In the end.
Feel the boil –
The hidden underneath
I can’t express time easily without saying it so allow me the long way to explain the soil.
Rashness. Suppress
Impatience, suppress
Jaw, clench.
Supress, neutral, square, flatly. I look at you, and purpose – the end of a working week. Late again, angry at how easy it is, the lack of accountability. To be better. Challenged.
Silent at the stumps again.
Another gin.
Suppress
The more money, the stranger the problem.
How are you going, he asked
It’s a bit late for that, I responded.
POEM
The rise and fall of a friendship
My near loss of a brother –
Rocked with illness our father
And the lies I tell for work.
These interactions, outcomes, and motives can be mixed and matched, allowing you to tailor the Master’s character to your campaign’s tone. Whether he becomes a tragic, misunderstood figure, a formidable adversary, or even an uneasy ally, the Master’s layered personality adds a rich, moral dimension to the unfolding story.
These details will reinforce the eerie truth of their origins without outright stating it, allowing the players to piece it together themselves.
When they interact with townspeople from their reactions are oddly distant. People they believe they knew look confused when greeted. “I don’t think we’ve met,” they say. Even those who should recognize them—the innkeeper who let them stay years ago, the old woman who once called them a nuisance—seem uncertain.
They occasionally catch a scent on the wind—damp earth, rotting wood, the musk of graves long forgotten. Sometimes, it’s on their clothes. Sometimes, it’s on their breath. It clings to them when they wake, as if they had been somewhere else while they slept.
Dogs growl and whimper at their approach. Horses spook and shy away. Even crows watch them too intently—not with fear, but recognition. The birds do not caw at them. They simply stare, as if waiting for something.
One night, while resting, one of them—perhaps while checking their wounds—presses a hand to their chest. They realize they can’t feel their heartbeat. In panic, they check another party member. Nothing.
But then, moments later, it returns—faint, slow, but not quite right. It happens again at random, their heartbeats stopping for moments, then restarting without pain or consequence.
At night, one of them looks up and realizes the constellations feel unfamiliar. A scholar or navigator might struggle to find their bearings, feeling that something about the sky has shifted since their childhood. Perhaps the stars they remember… no longer exist.
If they search the ruins of Wightlych Academy, they may find sealed-off halls that are too well-preserved. Unlike the burnt out remains of the main hall, these wings were deliberately hidden, untouched by time. Old rooms remain exactly as they left them, their childhood belongings still pristine, as if waiting for them to return.
One such room might have neatly folded uniforms in their exact sizes, as if they never left.
If they are wounded and someone examines their blood closely, they will notice something off. It clots too quickly. Under the right light, it seems to have a dark, ink-like sheen.
A trained healer or alchemist might notice something worse—it’s too still. It lacks the warmth and movement of living blood.
As the clues mount, the realization will be undeniable: they were never alive when they left Wightlych Academy.
They were undead children, given an unnatural life by the Master’s work. For 33 years, they have walked the world as if they were human—but that spell is now fading. The Master never intended for them to escape.
Because in truth, they never did.